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・ Jerry Cheynet
・ Jerry Ciccoritti
・ Jerry City, Ohio
・ Jerry Clack
・ Jerry Claiborne
・ Jerry Climer
・ Jerry Clinton
・ Jerry Clower
・ Jerry Codiñera
・ Jerry Colangelo
・ Jerry Cole
・ Jerry Coleby-Williams
・ Jerry Coleman
・ Jerry Collins
・ Jerry Colonna
Jerry Colonna (entertainer)
・ Jerry Colonna (financier)
・ Jerry Colquitt
・ Jerry Connors
・ Jerry Conway
・ Jerry Cook
・ Jerry Cooke
・ Jerry Cooke (photographer)
・ Jerry Cornelison
・ Jerry Cornelius
・ Jerry Cornes
・ Jerry Costello
・ Jerry Costello II
・ Jerry Cotton
・ Jerry Cotton (film)


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Jerry Colonna (entertainer) : ウィキペディア英語版
Jerry Colonna (entertainer)

Gerardo Luigi "Jerry" Colonna (September 17, 1904 – November 21, 1986) was an American comedian, singer, songwriter, and trombonist best remembered as the zaniest of Bob Hope's sidekicks in Hope's popular radio shows and films of the 1940s and 1950s.
With his pop-eyed facial expressions and walrus-sized handlebar moustache, Colonna was known for singing loudly "in a comic caterwaul," according to ''Raised on Radio'' author Gerald Nachman, and for his catchphrase, "Who's Yehudi?", uttered after many an old joke, although it usually had nothing to do with the joke. The line was believed to be named for violin virtuoso Yehudi Menuhin, and the search for Yehudi became a running gag on the Hope show.
Colonna played a range of nitwitted characters, the best-remembered of which was a moronic professor. Nachman wrote:
:Colonna brought a whacked-out touch to Hope's show. In a typical exchange, Hope asks, "Professor, did you plant the bomb in the embassy like I told you?", to which Colonna replied, in that whooping five-alarm voice, "Embassy? Great Scott, I thought you said NBC!"
==Musical madness==
Colonna started his career as a trombonist in orchestras and dance bands in and around his native Boston; he can be heard with Joe Herlihy's orchestra on discs recorded for Edison Records in the late 1920s. During the 1930s, Colonna played with the CBS house orchestra, the Columbia Symphony Orchestra, and developed a reputation for prankishness. During his tenure at CBS he occasionally worked under bandleader Raymond Scott, and made several recordings with Scott's famous Quintette which involved Colonna mouthing nonsense syllables over Scott's band. His off-stage antics were so calamitous that CBS nearly fired him on more than one occasion. Fred Allen, then on CBS, gave Colonna periodic guest slots, and a decade later he joined the John Scott Trotter band on Bing Crosby's ''Kraft Music Hall''.
In an opera parody, Colonna hollered an aria "in a deadpan screech that became his trademark on Bob Hope's show, Nachman noted. Colonna was one of three memorable 1940s ''Kraft Music Hall'' discoveries. The others were pianist-comedian Victor Borge and Trotter's drummer, music "depreciationist" Spike Jones.
Colonna had the ability to stretch a syllable to extreme lengths. In addition to songs (such as "Aaaaaaaaaaaaaaaaaaall, or nothing at aaaaaaaaaaaaaaaaaaall..."), he worked this bit into ''Road to Rio'' along with another of his catchphrases. The action periodically cuts to a cavalry riding to the rescue of Bing and Bob. At one point he exhorts his riders, "Chaaaaaaaaaaaaaaaaaaarge!" At the end of the film, when all is resolved and he is still "charging," he pulls up and tells the audience, "Well, what do you know... we never quite made it. Exciting, though... ''was''n't it?!"
According to radio historian Arthur Frank Wertheim, in ''Radio Comedy'', Colonna was responsible for many of the catchphrases on Hope's show, notably, "Give me a drag on that before you throw it away", a crack the cast came to use to lance any bragging. Colonna's usual salutation to Hope was, "Greetings, Gate!" and listeners soon began saying it.
Colonna was part of several of Hope's early USO tours during the 1940s. Jack Benny's singing sidekick Dennis Day, a talented impressionist as well as a singer, did an effective imitation of Colonna's manic style and expressions.
Colonna joined ASCAP in 1956; his songwriting credits include "At Dusk", "I Came to Say Goodbye", "Sleighbells in the Sky" and "Take Your Time." He released an LP of musical parodies in 1954 (''Music? for Screaming!!!'' Decca DL 5540) and one of Dixieland-style music, ''He Sings and Swings'' (Mercury-Wing MGW 12153), in the late 1950s.

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